I was interviewing Raysa because she’s one-fourth of the Moriviví Collective, a group I first heard of some years ago, thanks to a controversial mural they made near a freeway in San Juan. They are four incredibly talented, young Puerto Rican women who create the most ethereal modern art I’ve ever seen – I also knew they went to the same visual arts high school as one of my best friends (Puerto Rico is a small island). I was intrigued by their art and story; however, when I asked Raysa if they meant for the collective to be constructed of just women, Raysa told me it had actually been purely coincidental.